Almost Dark is a personal exploration of light as it fades.
I’m an amateur photographer drawn to twilight, shadows, and the moments that feel unfinished — when a place is about to change, or a story hasn’t quite closed.
Kodak Gold, After the Light Drops
I keep coming back to Kodak Gold for its warmth and restraint. It doesn’t chase contrast or drama — it holds onto colour gently, especially as the light starts to fade. In twilight and artificial light it gives me soft highlights, forgiving shadows, and a sense of calm that suits the way I like to work. It’s a film that feels comfortable lingering in imperfect moments, which is often where my photographs begin.
Moments Captured in Timeless Black and White
Explore a handpicked selection revealing the subtle narratives of twilight captured on 35mm film.
Gallery
Explore a curated collection of black and white photographs and stories capturing the quiet beauty of moments just before nightfall.
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Bali on Kodak Gold
Bali is one of those places that seems impossible to photograph honestly. Everywhere you look there are postcard scenes waiting to happen: perfect beaches, impossibly green rice fields, temples, sunsets and infinity pools. It’s easy to come home with a roll full of…
How I Shoot
Almost Dark is photographed on a tight budget, mostly using my Sony A7R II and a Pentax SF7. I tend towards an 85mm lens for its quiet compression, switching to a 40-50mm when the scene asks for less distance and more presence.
Almost Dark Studio is grounded in real photographs, taken by me.
While I do use AI as part of my broader creative workflow, it’s a tool for reflection and support — not image creation.